The Suspenders of Time

Every few years (usually when I’m already teetering on the edge of emotional ruin) this picture pops up in my digital memories like a ghost in a thrift-store frame. It’s from my Aunt’s wedding: a time when perms were plentiful and the color blue was available only in “electric.”

There we are, my sister with a hairstyle that’s classified as its own municipality, my mom in mid-floral renaissance, my dad channeling Tom Selleck if Tom Selleck had worked in corporate accounting, and me, front and center, with a bowl haircut so hemispheric it could’ve doubled as NORAD’s backup radar dome. My outfit, which I can only assume was chosen by a rogue haberdasher on the run from the fashion police, included teal and turquoise color blocking and suspenders so wide they had their own zip code.

For years, I used to share this picture every time it resurfaced. I’d post it with captions like “The Hair That Ate Cincinnati” or “When Moustaches Ruled the World.” Friends would laugh, strangers would comment “iconic,” and someone would inevitably ask if the picture had been Photoshopped (now, AI-generated) to look “extra 1980s.”

But lately, when the photo pops up, I don’t share it. Not right away, anyway.

Because these days, I don’t just see the comedy. I see the loss. My dad, still sharp, still funny, is now in his seventies. We talk every weekend. He always picks up whenI call, but it still feels like we should talk more often. He lives iwth my sister and her family a thousand miles away. She’s busy raising her own family. Neither of us are the kids we used to be.

And my mom? She’s been gone for five years now. Some days, I can still hear her voice in the back of my mind, clear as a bell. Other days, I have to dig through old voicemails or grainy videos to conjure even the sound of her laughter. That’s the part nobody warns you about, how even voices fade if you don’t keep them alive somehow.

The Lord Giveth and the Lord Taketh Away, yes. But the Lord doesn’t hold a candle to Time. Time is a petty thief with excellent patience and no sense of remorse. He’s the kind of houseguest who doesn’t just steal your silverware, he takes your stories, your smells, the way your mom’s perfume used to linger in the hallway. All of it. You don’t even notice at first, until you look up and realize everything’s been rearranged and half your furniture is missing.

So I hold my kids tighter now. I listen to their nonsense stories about Minecraft and fart jokes as if they were poetry. I smile more often than I want to, which is saying something for a man whose resting b**** face looks like it was rear-ended in traffic. And I pose for the pictures. Every one of them. Silly ones. Unflattering ones. Photos where I’m wearing a Star Wars shirt and crocs with socks. Because one day, I want my kids to have something to look back on, to laugh at, to share. I want to be their moustached memory, their suspenders-wearing dad in a photo that’s both ridiculous and deeply, achingly dear.

Because in the end, it’s not about how we looked. It’s about what we still see.

Piano

There’s a piano in my office
still sealed like a secret,
boxed in belief,
wrapped in ribboned remembrance
of a Christmas that came with a quiet contract:
Be the man you said you’d be.

But I ain’t touched it.
Not once.
Not a key.
Not a chord.
Not a damn thing.

It perches on the shelf like a judge,
black box, blind justice,
silent but seeing,
a jury of 88 keys
ready to read me my rights
to remain silent…
and wrong.

My wife bought it
with love so loud it didn’t need to shout.
With hope heavy in her hands,
she gave me music
for the man she still believes exists
somewhere beneath
the missed meetings,
the microwaved dinners,
and the muttered apologies
half-buried in bedtime yawns.

And I smiled that safe smile,
that “thanks, babe” smile,
that “someday soon” smile,
that same damn smile
that’s been fading from her face
as the years dripped dry
like forgotten faucets.

My kids.
God, my kids.
Five of ‘em.
Five symphonies I never scored.
Five fires I left burning alone
in the cold corners of their own becoming.
Their baby giggles gave way
to headphones and hallway hellos.
Their hands used to reach,
now they retreat.
And I can’t blame ‘em.

I gave them fragments.
Flashes.
Phone calls from the car.
A father filtered through work
and Wi-Fi and worn-out excuses.
Now their eyes hold echoes,
half-light halos
of the man they hoped I was
and the stranger who showed up instead.

I used to have friends
like family,
now I got followers.
Likes in lieu of love.
Comments in place of connection.
We say “let’s catch up” like it’s currency,
but we never cash it in.
We toast old times
while quietly mourning
the funeral of friendship
we’re too afraid to admit is already dead.

I had dreams, man.
Big ones.
Burning ones.
Books and beats and backroom speeches
that could break the back of boredom.
But now those dreams are ghosts
that rattle in my ribcage,
restless,
angry,
aching.
I can’t even hear their voices anymore.
Only their footprints
pacing, pacing, pacing.

And still…
that box.
That box.
That fucking box.
It waits.
Patient as prayer.
Still as sin.
A mute monument to all my almosts,
all my should’ve-shown-ups,
all my maybe-laters
stacked like unpaid debts
on the doorstep of now.

It is not just wood and wire.
It is willpower I never wielded.
It is a time machine
set to reverse
a rewind I won’t press
but can’t stop watching.

One day, I’ll open it.
Not today.
But one day.
When my spine stops sagging
under the weight of wasted chances.
When my hands remember
how to hold more than guilt.
When my voice
finds the vibrato of truth again.

Until then,
the box stays closed,
and I stay cracked.
And the music?
The music mourns me
softly,
slowly,
like a lullaby
for the man I still might become.